Another antisemitic exhibit has surfaced at the documenta art exhibition in Germany. Management is accused of burying its head in the sand, while Jewish groups ask if the art show will continue.
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After antisemitic motifs were again discovered at the documenta art exhibition in the German city of Kassel, the new interim management has also been criticized.
The show was "withdrawing into its shell" and showing no willingness to talk about antisemitism and the limits of artistic freedom, Philipp Oswalt, professor of architectural theory at the University of Kassel, told DW.
Oswalt, deputy managing director of the Kassel-based Transdisciplinary Research Center for Exhibition Studies, was involved in the founding of the documenta Institute that conducts research in the art exhibition field.
According to Oswalt, the documenta curatorial team and management under Alexander Farenholtz's interim leadership — appointed after director Sabine Schormann resigned earlier this month —continues to remain silent on accusations or to downplay them.
1988 brochure contains antisemitic stereotypes
On Wednesday, the public learned that yet another antisemitic exhibit had been discovered at the art show within a booklet displayed on tables in Kassel's Museum Fridericianum, as announced by the Research and Information Center on Antisemitism in Marburg.
In a 1988 brochure contains photos and images of a feminist archive from Algeria entitled "Presence des Femmes," among them drawings by Burhan Karkoutly, a Syrian artist, said to contain antisemitic stereotypes.
The works were created in the year of the first Palestinian uprising known as the Intifada, documenta press spokeswoman Susanne Urban told Germany's epd news agency. The Jüdische Allgemeine newspaper had first reported the finding on Wednesday.
Two of the images in question picture Israeli soldiers as dehumanized robots with bared teeth, in one image a gun barrel threatens a young man and in the other, one of the robot soldiers grabs a child by the ear. Another image has a woman kicking the groin an Israeli soldier with an oversized hooked nose in the tradition of antisemitic caricatures.
Works returned to show after removal
On Thursday, documenta announced in a press release that the the city of Kassel and the state of Hesse that preside over the event were not aware of the depictions in the booklet, even though management was in fact alerted by a visitor three weeks earlier.
Documenta organizers had removed the works but later returned them to the show.
"After investigating the matter we found the images took a clear stance on the Israeli-Palestinian conflict but depicted no images of 'Jews as such,'" said a statement by the documenta curators.
Board members lamented the fact that the issue was "only the subject of an internal evaluation." A statement underscored the, "urgent necessity of external expertise when analyzing works for antisemitic imagery."
These events did not take place under the responsibility of the interim managing director Alexander Farenholtz.
Promised land, enemy land: Israel 70 years after independence
Triumph or catastrophe? The state of Israel was declared 70 years ago this week, according to the Hebrew calendar — a turning point for Jews after the Holocaust. DW looks back at events that have shaped Israeli history.
Image: Imago/W. Rothermel
Long-held hope is victorious
On May 14, 1948, David Ben-Gurion, future first prime minister of Israel, declares the state's independence, outlining the Jewish story: "The people kept faith with (the land) throughout their dispersion and never ceased to pray and hope for their return to it and for the restoration in it of their political freedom." It was the birth of an internationally recognized Jewish homeland.
Image: picture-alliance/dpa
The darkest hour
While the controversial idea of a God-given land for Jews has biblical roots, the Holocaust was a close, powerful backdrop for the significance of Israel's founding. Nazi Germany murdered six million Jews across Europe, and those who survived the concentration camps endured expulsion and forced labor. The above photo shows survivors of the Auschwitz camp following liberation.
Image: picture-alliance/dpa/akg-images
'Nakba': Arabic for 'catastrophe'
Directly after Israel's founding, it was attacked by troops from Egypt, Syria, Jordan and Iraq - among others. Israel pushed back and expanded its control over 77% of Palestinian territory. Some 700,000 Palestinians were driven from their homes. "Nakba" is what Palestinians call this event. The war encapsulated the still unresolved Mideast conflict sparked in 1917 with the Balfour Declaration.
Image: picture-alliance/CPA Media
Life on a kibbutz
These land collectives, known as kibbutzim in the plural, were established across Israel following independence. Many were run by secular or socialist Jews in an effort to realize their vision of society.
Image: G. Pickow/Three Lions/Hulton Archive/Getty Images
A state at war
Tensions with its Arab neighbors erupted in the Six-Day War in June 1967. With a surprise attack, Israel is able to swiftly defeat Egypt, Jordan and Syria, bringing the Arab-populated areas of the Sinai Peninsula, the Gaza Strip, the West Bank, East Jerusalem and the Golan Heights under Israeli control. Victory leads to occupation — and more tension and conflict.
Image: Keystone/ZUMA/IMAGO
Settlements on disputed territory
Israel's settlement policy worsens the conflict with Palestinians. Due to development and expansion of Jewish areas on occupied Palestinian land, the Palestinian Authority accuses Israel of making a future Palestinian state untenable. Israel has largely ignored the international community's criticism of its settlement policy, arguing new construction is either legal or necessary for security.
Image: picture-alliance/newscom/D. Hill
Anger, hate and stones: The first intifada
In winter 1987, Palestinians begin mass protests of Israel's ongoing occupation. Unrest spreads from Gaza to East Jerusalem and the West Bank. The uprising eventually wound down and led to the 1993 Oslo Accords — the first face-to-face agreement between the government of Israel and the Palestine Liberation Organization (PLO), the representative body of the Palestinian people.
Image: picture-alliance/AFP/E. Baitel
Peace at last?
With former US President Bill Clinton as a mediator, Israeli Prime Minister Yitzhak Rabin (left) and PLO Chairman Yasser Arafat hold peace talks. The result, the Oslo I Accord, is each side's recognition of the other. The agreement leads many to hope that an end to the Israel-Palestine conflict is not far off, but peace initiatives suffer a major setback when Rabin is assassinated two years later.
Image: picture-alliance/CPA Media
A void to fill
A right-wing Jewish fanatic shoots and kills Rabin on November 4, 1995, while he is leaving a peace rally in Tel Aviv. Rabin's assassination throws the spotlight on Israel's internal social strife. The divide is growing between centrist and extremist, secular and religious. The photo shows Israel's then-acting prime minister, Shimon Peres, next to the empty chair of his murdered colleague.
Image: Getty Images/AFP/J. Delay
Addressing the unspeakable
Nazi Germany's mass murder of Jews weighs on German-Israeli relations to this day. In February 2000, Germany's then-President Johannes Rau addresses the Knesset, Israel's parliament, in German. It is a tremendous emotional challenge for both sides, especially for Holocaust survivors and their descendants, but also a step towards closer relations after unforgettable crimes.
Image: picture-alliance/dpa
The Israeli wall
In 2002, amid the violence and terror of the Second Intifada, Israel starts building a 107-kilometer-long (67-mile-long) barrier of barbed wire, concrete wall and guard towers between itself and Palestinian areas of the West Bank. It suppresses the violence but does not solve the larger political conflict. The wall grows in length over the years and is projected to reach around 700 kilometers.
Image: picture-alliance/dpa/dpaweb/S. Nackstrand
A gesture to the dead
Germany's current foreign minister, Heiko Maas, steps decisively into an ever closer German-Israeli relationship. His first trip abroad as the country's top diplomat is to Israel in March 2018. At the Yad Vashem Holocaust memorial and museum in Jerusalem, he lays a wreath in memory of Holocaust victims.
Image: picture-alliance/dpa/I. Yefimovich
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Oswalt says he is surprised that the new management is making excuses instead of taking action, which could, for example, include discussion panels and forums on the subject, or even the production of new art before the show closes end of September.
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Antisemitism in both Indonesian and German artworld
At the beginning of the documenta, the large-scale artwork "People's Justice" by the Indonesian Taring Padi artist collective came under fire for antisemitic imagery. Documenta management had it removed after fierce public criticism and the collective apologized.
"Of course, the apology for antisemitic motives has to be taken seriously, but there was no reflection on how it came about in the first place; picking up anti-Semitic iconography doesn't happen by accident," Oswalt said.
He added a German sensitivity on the subject of antisemitism can't be the justification, nor can the fact that Taring Padi is Indonesian.
"Anti-Semitism exists in the German art world just as it does in the Indonesian art world, in the global South and in the global North," Oswalt said.
Jewish community 'stunned'
It makes you wonder what stage we have reached in Germany when these images allegedly criticizing Israel can be deemed as good," Josef Schuster, president of Germany's Central Council of Jews, said on Thursday.
He added that documenta fifteen would "go down in history as an antisemitic art show."
Schuster also said it is no longer conceivable at the show will run its full course until September 25.
Meron Mendel, director of the Anne Frank Education Center, told the German News Agency that he was "stunned" by the resurgence of antisemitic motifs.
Mendel worked for a time as an adviser to documenta, but withdrew as a result of inaction on the part of the previous managing director.
Art in Kassel, from documenta and beyond
Every five years, the documenta exhibition brings art to Kassel — and attracts many tourists. They can admire current and past works, as well as many other sights, some dating back centuries.
Image: picture alliance/dpa
ruruHaus: The 'living room' of documenta
The former department store with its striking facade is the epicenter for artists and visitors alike at this year's documenta. In the ruruHaus, artist collectives present themselves and events take place. Practical for visitors: From here, all other documenta venues can quickly be reached.
Image: Uwe Zucchi/dpa/picture alliance
'Lumbung' in time-honored setting
The Museum Fridericianum has often served as a central location for documenta. This year, the organizers of the group Ruangrupa redefined the historic building as a "lumbung." The term refers to buildings in Indonesia that are communal harvest storage sites and important village meeting places. The artists want to meet with visitors here for workshops and discussions, among other things.
Image: Sven Pförtner/dpa/picture alliance
Old clothes, electronic waste and garbage
Against the magnificent backdrop of the Orangerie in the Karlsaue Park, this installation draws attention to the dark side of consumer society. The walk-in work "Return to Sender" by Kenyan artist collective The Nest highlights environmental destruction in southern countries caused by the transport of garbage, electronic waste and textiles.
Image: Sven Pförtner/dpa/picture alliance
Illumination art in the city
The "Laserscape" installation at documenta 1977 was the world's first permanent laser light artwork — and it's still a nighttime landmark in Kassel. The beams connect the tower at the Museum Fridericianum, the Hercules Octagon and the Hessian State Museum, among other things. Definitely a "highlight" for the night owls among the visitors.
Image: imago stock&people
'7000 Oaks' for Kassel
Probably no other documenta work has changed Kassel as permanently as "7000 Oaks: City Forestation instead of City Administration" by Joseph Beuys. In 1982, he tipped 7,000 basalt stones onto a square in the city center. Over the next five years, he moved stone after stone to new locations. At each, an oak was planted, such along this path. Local residents and tourists take pleasure in it.
Image: Swen Pförtner/dpa/picture alliance
Bronze tree and granite boulders
The work "Idea di Pietra," by Giuseppe Penone, also addresses the coexistence of tree and stone. For documenta 13 in 2012, the Italian installed the skeleton of a tree, cast in bronze, in which a granite boulder is suspended. The nine-meter-high (29.5 ft) sculpture was purchased with donations by citizens of Kassel and now adorns the picturesque park landscape of the Karlsaue.
Image: picture alliance / dpa
The city wants to go to the top
Over the years some works of art develop a symbolism of their own. The sculpture "Man Walking to the Sky," by Jonathan Borofsky, is one example. In 1992 it was part of documenta 9, but it remained in Kassel afterward, becoming a symbol of recovery for many citizens at a moment of great change: Kassel had been close to the border between East and West Germany; today it's in the geographic center.
Image: picture-alliance/U. Zucchi
New landmark anchored in history
The gigantic pickaxe is also a documenta relic. Its creator, Claes Oldenburg, was inspired by a pickaxe found near the city's Orangerie and entertained the idea that the famous Hercules monument in Bergpark Wilhelmshöhre could have thrown it. Thus, for documenta 7 in 1982, Oldenburg created a new landmark: a twelve-meter rendition of the steel implement right on the bank of the Fulda River.
Image: picture-alliance/dpa/U. Zucchi
Demigod with a view
This famous Hercules monument has been attracting visitors to Kassel for much longer than the documenta, which first took place in 1955. High above the city, the 8-meter (27 ft) representation of the demigod has been enthroned on a towering pyramid since the beginning of the 18th century. It looks out over Wilhelmshöhe Palace to downtown Kassel.
Image: picture-alliance/dpa/S. Pförtner
Water features attract visitors
The octagonal base upon which the Hercules monument sits is also the starting point of another attraction that drew curious visitors to Kassel long before the documenta: On Wednesdays, Sundays and public holidays from May to October, the baroque waterworks flowing down the hillside enchant visitors from all over the world — and have done so for more than three hundred years.
Image: Swen Pförtner/dpa/picture alliance
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Back in June, he told DW that "documenta is facing a shambles."