A new Berlin exhibition exploring the century-long legacy of the original vampire movie 'Nosferatu' will take visitors' blood for a complimentary ticket.
Advertisement
The exhibition "Phantoms of the Night. 100 Years of Nosferatu" at the Sammlung Scharf-Gerstenberg in Berlin is cooperating with the German Red Cross to offer blood donations to visitors to the vampire classic retrospective, where all blood donors will receive free admission.
The donations will happen monthly from December 21, which is the winter solstice and the darkest day of the year.
The next Red Cross-administered donation day happens on January 12, 2023, with further days to be announced during the next four months of the exhibition. The event will run through April 23.
Advertisement
Celebrating a blood-sucking masterpiece
A hundred years ago, the silent expressionist horror film "Nosferatu: A Symphony of Horror" premiered in Berlin at the Marble Hall at the Berlin Zoo. Borrowing heavily from Bram Stoker's "Dracula," the film, directed by Friedrich Wilhelm Murnau, altered details such as character names to avoid copyright infringement.
Why vampire stories simply won't go away
16:40
Despite these changes, a court ruling ordered all copies of the film to be destroyed. However, some replicas survived and the film is now regarded as a masterpiece of cinema.
In the film, the vampire Nosferatu stows away on a ship and brings plague and death to a port city. Only the blood of a girl can stop him. But as the young woman sacrifices herself and he sets upon her, he forgets that morning has arrived, and the sunlight dissolves him into smoke.
Countless vampire films and stories have followed this pattern — and the fascination with the bloodsucker continues to this day.
The vampire classic was most famously reprised in the 1979 remake by director Werner Herzog and was called "Nosferatu: Phantom of the Night," with Klaus Kinski in the title role. In an episode of the TV animation series, "The Simpsons," the evil boss, Mr Burns, transforms into the Nosferatu character and is described by Lisa as "the walking undead" and "Das Wampyr!"
Nosferatu's artistic legacy
The Berlin exhibition "Phantoms of the Night. 100 Years of Nosferatu" focuses on the German silent film's impact on the visual arts.
In the 1920s, artists like Andre Breton considered "Nosferatu" a key surrealist work. Its aesthetics were played out in the sketches for the set design, for example.
"[These] include motifs that call to mind etchings by Francisco de Goya, German Romanticism, and tropes from the fantastical art and literature of the early 20th century," write the curators.
In the Berlin exhibition, the images are juxtaposed with drawings, prints and paintings by artists such as Alfred Kubin, Francisco de Goya or Caspar David Friedrich.
One image featured is by Czech graphic artist Frantisek Kobliha, who, inspired by Edgar Allan Poe's nightmarish stories, created a series of eerie etchings at the time.
Now, potential visitors to the show can get further into the demonic spirit by simply paying with their blood.
100 years of Nosferatu: Demons never die
"Nosferatu" was one of the first horror films and is considered a masterpiece of German Expressionism. An exhibition in Berlin celebrates the vampire that filmmaker Friedrich Murnau brought to life a century ago.
Considered to be one of the first horror films, "Nosferatu: A Symphony of Horror" was released in 1922. The actor Max Schreck played the vampire Nosferatu; his character was gaunt, with unnaturally pointed ears, equally pointed teeth and long curved fingernails. The sinister count becomes a bloodsucker at night, demonic and tormented at the same time.
Image: Friedrich-Wilhelm-Murnau-Stiftung
The last passenger
Nosferatu is brought onto a ship in a coffin. During the voyage, almost the entire crew dies of the plague. In the end, only the mate and the captain are left. When Nosferatu appears on deck, the mate throws himself off the ship. The captain also does not survive the voyage. When the ship arrives in port, it's discovered not a living soul remains on board. Well — almost.
Image: Deutsche Kinemathek
Plague and death
Nosferatu brings plague and death to the port city — only the blood of a girl can stop him. A young woman sacrifices herself; he sets upon her, forgetting that the morning is already here. As the sunlight hits him, he dissolves into smoke. Countless vampire films and stories have followed this pattern — and the fascination with the bloodsucker continues to this day.
Image: Deutsche Kinemathek
Expressionistic publicity
The designer Albin Grau not only created this poster but had the initial idea of making a vampire film and was able to convince director Friedrich Murnau to come on board. Grau was ultimately the film's artistic director who designed the iconic masks and costumes, and also created promotional graphics, in line with the prevailing German Expressionist aesthetic.
The exhibition of the Scharf-Gerstenberg Collection in Berlin's National Gallery shows many of the original publicity materials, and also the artistic influences informing the artwork, such as this poster. The vast array of promotional material for the film included a printed essay on vampirism. The program booklet also helped to elicit the promise of a frightful cinematic experience.
Image: Deutsche Kinemathek
Eerie artistic visions
In the Berlin exhibition, on view until April 23, 2023, the film images are juxtaposed with drawings, prints and paintings by artists such as Alfred Kubin, Francisco de Goya or Caspar David Friedrich. The above image is by Czech graphic artist Frantisek Kobliha, who, inspired by Edgar Allan Poe's nightmarish stories, created a series of eerie etchings.
Image: Gallery of Modern Art, Roudnice nad Labem
Is this bat about to become a vampire?
This painting entitled "Song in the Twilight," by Franz Sedlacek, an Austrian painter of the New Objectivity school, seems comparatively peaceful. However, the warm-looking atmosphere of this room with its muted colors and the person at the piano is deceptive. For the flying bat in the room casts no shadow and could turn into a bloodsucking monster when darkness falls.
Image: Sammlung Oesterreichische Nationalbank
7 images1 | 7
While you're here: Every Tuesday, DW editors round up what is happening in German politics and society. You can sign up here for the weekly email newsletter Berlin Briefing.