The 70th Berlinale will open with the Canadian-Irish film "My Salinger Year." Based on the memoir by Joanna Rakoff, director Philippe Falardeau tells the story of a young writer who works as an assistant to a successful literary agent (played by Sigourney Weaver), and who gets the job of responding to fan mail for cult author J.D. Salinger. Sigourney Weaver is expected to attend the premiere.

After long-time director Dieter Kosslick resigned last year, the 70th edition of the Berlinale is the work of a new management duo: former Locarno Film Festival director Carlo Chatrian (center) as artistic director; and Mariette Rissenbeek (left), formerly of German Films, as managing director. The two were officially introduced in 2019 by Minister of State for Culture, Monika Grütters (right).

The new festival heads had to quickly deal with changes in Berlin's cinema landscape. Because a large multiplex cinema on Potsdamer Platz closed its doors, and some other venues were no longer available, replacements were needed. The Cubix cinema on Alexanderplatz, previously a secondary location of the festival, is now — alongside Potsdamer Platz — one of the central venues for the Berlinale.

Actor Jeremy Irons should cut a fine figure on the red carpet at the Berlinale, with the Briton announced as head the international jury this year. At the close of the competition screenings, he and his team will decide the coveted Golden and Silver Bear winners. The Oscar winner won plaudits for 1981's "The French Lieutenant's Woman," and stars in HBO's current superhero series, "Watchmen."

The "out of competition" component of the Competition has been scrapped, with non-competing films to be presented as part of the Berlinale Special Gala. Leading the pack will be "Pinocchio," from director Matteo Garrone and starring Roberto Begnini. "Garrone succeeds in re-telling the well-known story with his very own world of images," said Carlo Chatrian of a "much more cheerful" Pinocchio.

German film will again be a key component of the program via the Perspektive Deutsches Kino section. A compact programme features four outstanding documentary and feature films that shows how new filmmakers choose to reflect on German society and its social and political orientation. The psychological drama "Schlaf" (Sleep) starring Oscar-nominated Sandra Hüller (pictured) will premiere.

As in most major film festivals, increased female participation will be much anticipated this year after former director Dieter Kosslick in 2019 signed the 5050x2020 pledge to work for increased gender equality. The final program will soon reveal if the Berlinale has increased opportunities for female filmmakers. At the least, celebrated Polish director Agnieszka Holland will premiere "Charlatan."

Oscar winner Helen Mirren will receive the Honorary Golden Bear for lifetime achievement. The British actor, who emerged on screen following her tremendous success on the theater stage — she became a Dame in 2003 for her services to drama — went on to win the best actress Oscar for "The Queen" in 2007. She was on the Berlinale red carpet in 2015 for her role in "Women in Gold."

Hollywood director King Vidor (pictured left with Audrey Hepburn while filming "War and Peace" in 1955) is the focus of the retrospective. The Texan director of near 80 works began making silent films and helmed the 1928 Oscar-nominated masterpiece "The Crowd." In addition to "War and Peace," his countless sound film era classics included the western "Duel in the Sun" (1946) starring Gregory Peck.

An ex-Israeli soldier rejects his national identity as he moves to Paris: One could expect just another take on the cliched expat genre from this one-line description of "Synonyms," but the movie explores the concept of identity down to its core. Israeli director Nadav Lapid took the main award of the Berlinale with his outstanding contribution.

Dealing with the scars of China's one-child policy and its Cultural Revolution, which saw countless people imprisoned, tortured and executed, Chinese director Wang Xiashuai's three-hour drama depicts the country's political upheaval through two families over three decades. The film won Best Actor and Best Actress with outstanding performances by Wang Jingchun and Yong Mei.

Long static shots, deadpan dialogues and disorientating ellipses: Angela Schanelec's entry is one of the most divisive works of the competition. The German press and hardcore cinephiles are absolutely ecstatic about this elegant Berlin School work, but many others found "I Was at Home, But" unnecessarily pretentious. Still, Schanelec won the Silver Bear for Best Director.

The adaptation of Roberto Saviano's novel depicts the world of teenage gangs in Naples, where youths grow up with violence and crime as rites of passage. This next generation of mobsters isn't afraid of the police even when they occasionally do get into trouble. The Italian film won the Silver Bear for Best Screenplay.

In "By the Grace of God," Francois Ozon tells the story of an association of victims who take action against the attempted cover-up of a Catholic priest's years of sexual abuse. It's a highly topical film whose conclusion remains to be written in real life, as the trial of Lyon's Cardinal Barbarin is still ongoing. Ozon's movie won the Silver Bear Grand Jury Prize.

Screened early in the competition, the German filmmaker's debut centers on an aggressive, traumatized nine-year-old who defies the German child welfare system. Everyone agreed that the young actress in the lead role, Helena Zengel, offered a deeply impressive performance. The movie bagged the Silver Bear Alfred Bauer Prize as a feature film that "opens new perspectives on cinematic art."

Cinematographer Rasmus Videbaek, who in the past worked on international productions including "12 Strong" and "The Dark Tower," won a Silver Bear for his work on the Norwegian drama "Out Stealing Horses." The poetic film features Swedish superstar Stellan Skarsgard.

Macedonian filmmaker Teona Strugar Mitevska offers a Balkan satire about the predominance of religion and macho culture in her home country. Zorica Nusheva's performance in the title role garnered particular praise. Nonetheless, the movie failed to win a main award but took the Guild Film Prize home as well as the Ecumenical Jury award.