David Bowie famously moved to Berlin in 1976 to escape the drug scene in LA - decades before the German city became a hipster's hub. Bowie's interest in German culture went back to his teenage years. In an interview with the magazine "Uncut," he says he was attracted to the city where "Metropolis" was created. The 1927 Expressionist film was directed by Fritz Lang.

This other Expressionist classic from 1920 tells the story of the murders committed by an insane hypnotist. The dark and twisted visual style of the film definitely influenced Bowie to use stark imagery in his own performances.

"Since my teenage years I had obsessed on the angst-ridden, emotional work of the Expressionists, both artists and film makers, and Berlin had been their spiritual home," Bowie told "Uncut." "Die Brücke," a group of German Expressionist artists, was another major influence. During his time spent in Berlin from 1976 to 1979, Bowie often went to the Brücke Museum for inspiration.

David Bowie also cited the influential German poet and playwright as a source of inspiration. In 1982, Bowie starred in a BBC production of Bertolt Brecht's play "Baal." In September of the previous year, he recorded the five songs he performed in the play at the Hansa Studios in Berlin, working together with American producer Tony Visconti. The EP was named "David Bowie in Bertolt Brecht's Baal."

The Austrian-born theater director, producer and filmmaker is cited as another reason Bowie moved to Berlin. Establishing and leading a number of major theaters in Berlin at the beginning of the 20th century, Reinhardt is considered a pioneer of modern stage presentation. After leaving Nazi Germany, he worked and lived in the US.

The release of the album "Autobahn" by the electronic music band in 1974 attracted Bowie's attention back to Germany. Bowie said, however, that many have overestimated Kraftwerk's influence on his Berlin albums. Kraftwerk was very controlled and robotic - unlike his work with Brian Eno, which he described as "Expressionist mood pieces."

Justin Bieber has sold his music publishing rights to Hipgnosis for a reported $200 million (€184 million), according to AFP. While music legends including Bob Dylan and Tina Turner have also cashed out on their catalogs, such deals are not as common with younger artists. But the 28-year-old Canadian pop star is among the best-selling artists ever, with hits including "Baby" and "Sorry."

Bob Dylan created waves when he sold his publishing rights to Universal Music in 2020 for a reported $400 million. In January 2022, he then went on to sell his entire master recordings to Sony Music for an undisclosed amount. Billboard said the recordings are worth over $200 million and yield $16 million in annual revenues.

Rock star Neil Young soon followed in Dylan's footsteps, selling the publishing rights to 50% of his catalog to investment fund Hipgnosis. Young's move stunned the music world. The Canadian-American musician had always vehemently opposed the use of his songs in advertising, for example, and wanted to keep his rights to avoid such exploitation. Will Hipgnosis be a trustworthy partner?

Since the Hipgnosis publishing company was founded in 2018, it has snapped up song rights across the musical spectrum. In addition to Neil Young, Blondie's Debbie Harry and Fleetwood Mac's Stevie Nicks, Colombian pop singer Shakira has also sold 100% of her rights to Hipgnosis. The London-based company is already giving industry giants Universal and Co. a run for their money.

The Red Hot Chili Peppers also sold their publishing rights to Hipgnosis, signing a deal for around $140 million in May 2021. This includes hits such as "Under The Bridge," "Californication" and "Snow (Hey Oh)." With the coronavirus pandemic restricting musicians' income from performances, rights sales seem to be a growing trend.

Michael Jackson famously brought the song rights business to the fore in 1985 when he purchased the rights to 251 Beatles songs for $47.5 million (€40 million) — to the chagrin of Paul McCartney. Ironically, McCartney first gave Jackson the idea. The ex-Beatle had already lost the rights to his music in 1968 and has not been able to buy them back to this day. 

McCartney met Michael Jackson in the 1970s and they became friends. The two also talked about music rights, which awakened Jackson's business acumen. He started buying up catalogs — including those of the Beatles. The friendship with McCartney disintegrated but Jackson's fortune multiplied: 10 years later, he sold the Beatles' rights for $95 million.

Taylor Swift was only 15 years old when she signed her first recording contract. She also signed away her publishing rights, with her Big Machine label holding the rights to her first six albums in their entirety. A contract clause stipulated that the singer may re-record the first five albums after November 2020, which Swift did to regain her publishing rights.

Pink Floyd emerged victorious in a dispute over their rights in 2010. They sued their record company EMI after it wanted to sell individual Pink Floyd songs on the internet. When the band signed their contract in 1999, online song sales did not exist. Digital rights could not yet have been the subject of the contract, they argued. The court agreed with them.

Selling catalogs of rights is a way for ageing stars to secure their estate. Tina Turner, who has received 12 Grammy Awards and has been inducted twice into the Rock 'n' Roll Hall Of Fame, has sold to BMG her share of her recordings' and writer's rights, as well as the rights related to her name, image and likeness. It's the music publishing company's "single largest artist acquisition ever."

Five decades of hits: Bruce Springsteen sold his entire catalog and music publishing rights to Sony Music in December 2021, in a deal estimated to be worth $500 million. But even after selling his rights, the Boss can further profit from his enduring popularity, as he remains one of the highest-earning musicians on tour.

Six years after David Bowie's death, his estate is also following the trend and has sold the publishing rights to the late musician's entire body of work. Warner Music is now the caretaker of the influential glam rock pioneer's hundreds of songs. His catalog includes hits such as "Space Oddity," "Changes," "Life on Mars?" and "Heroes." The deal is estimated to be upwards of $250 million.