Cult 'Krazy Kat' strip reissue wins top comic prize
Sabine Oelze
July 29, 2020
George Herriman's legendary comic strip is an absurdist animal love triangle that has become a cult classic. Now the complete collection of the celebrated strip originally published in 1914-44 has won a 'comic Oscar.'
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When George Herriman created his weekly Krazy Kat comic from 1913 until his death in 1944, it was held up as a work of art for its visual creativity, absurdity and complex characterization.
The original adventures of Krazy and Ignatz the mouse was reissued by the Taschen Verlag in 2019 as George Herriman’s 'Krazy Kat', The Complete Color Sundays 1935–1944.
Edited by German art historian and curator Alexander Braun, the collection recently won an Eisner Award — dubbed the comic Oscars and named after US-American comic artist Will Erwin Eisner, who claimed Herriman as a strong influence. It won the prize for Best Archival Collection/Project.
For Braun, this marks his second Eisner win following his award for Winsor McCay, The Complete Little Nemo 1910–1927 in 2015.
Alexander Braun spent three years in archives in the US gathering the material on the cult Krazy Kat comic strip that he wanted to preserve for posterity. The artist and historian, who in 2011 founded the German Academy of Comic Art, was well qualified to also write an introduction to his Krazy Kat compendium, focusing on George Herriman's brilliance — the strip is commonly regarded as the greatest comic of the 20th century — and his multiracial background.
"Krazy Kat is an intellectual tour de force with incredibly beautiful sentimental traits that hasn't lost its appeal, even after a hundred years," the comic expert told DW. He added that the comic strip was a form of radical art that borrowed from the Dada movement and anticipated the absurdist theater of Samuel Beckett.
Animal love triangle
The Krazy Kat strip that appeared in Sunday color comic strips in US newspapers was initially about a cat's love for a mouse. It was a bizarre starting point, though the love was not requited by the mouse named Ignatz.
On the contrary, Ignatz does everything to harm the cat, throws bricks at its head with slapstick regularity. The duo is completed by Officer Pop, a dog in the role of a policeman. And he has a secret: he is in love with the cat — making this a bizarre animal love triangle.
The story of Krazy Kat and Ignatz, as it was called in the early days, appeared in the newspapers of publishing mogul William Randolph Hearst in the US. The illustrator Georg Herriman developed it from two animal side characters of his humorous comic series The Dingbat about a normal yet abnormal family. Then Herriman stuck to the story of the mouse, cat and dog until his death in 1944.
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Even Picasso was a fan
Despite criticism about its high art pretensions, the Krazy Kat strips were highly regarded by satire fans. None other than then US President Woodrow Wilson and writer F. Scott Fitzgerald warmed to the love-hate relationship between cat and mouse.
Painter Pablo Picasso was also enthusiastic about the comic, according to Braun, because of the way Herriman weaved a complex love triangle storyline together while maintaining high entertainment value.
"Herriman already understood the medium as art back then," Braun said. "This may have overwhelmed the average reader ... but the intellectual elite took note of Krazy Kat."
Shakespeare of the comic strip
Krazy Kat touches on universal themes like longing, love and the struggle for personal happiness that remain relevant to this day: "What do we still find interesting about Shakespeare today?" asks Braun, adding that Herriman successfully worked with similar themes as the great British playwright but "in a timeless way."
Through his work as an editor and exhibition curator, Braun is committed to ensuring that comics are not only perceived as entertainment but also as art since few museums exhibit such popular mediums.
"If we don't preserve the strips, we may lose them forever," he warns.
12 Black superheroes from US comics
People are familiar with the comic book "Black Panther" due to the film of the same name. But what other Black superheroes exist in the Marvel and DC comics universe?
In 2011, a young Black superhero took the lead in a top-ranking US mainstream comic: Marvel Comics had Afro-Latino teenager Miles Morales slip into Spider-Man's costume, while the series with Peter Parker as the original superhero continued as well. Morales, seen here in the 2018 film adaptation "Into the Spider-Verse," acquires his abilities, like Parker, through a spider bite.
T'Challa alias "Black Panther" was the first Black superhero with supernatural powers in US mainstream comic books. He was created in 1966 by Stan Lee and Jack Kirby. T'Challa is king of the fictional, vastly developed African nation of Wakanda. The acclaimed film adaptation from 2018 with Chadwick Boseman in the leading role garnered three Oscars.
Image: Panini Comics/MARVEL 2020
Falcon (1969)
The first Black superhero in mainstream comics whose life was based in the US was Sam Wilson, alias "Falcon." Raised in Harlem, he works as a social worker after the violent death of his parents. The martial artist with mechanical wings and a telepathic connection to birds guards over Harlem. He has also been of service as "Captain America."
Image: Panini Comics/MARVEL 2020
Green Lantern (1971)
The first African American superhero to appear in DC comics was John Stewart in 1971. He is part of the "Green Lantern Corps," the intergalactic militarized law enforcement organization that keeps order in the universe. As of 2012, in the continuation of the comic series, Simon Baz is also part of corps. Baz has roots in Lebanon, is Muslim and lives near Detroit, Michigan.
Image: Panini Comics/TM & 2020 DC Comics
Luke Cage (1972)
The invulnerable ex-convict is the first Black hero with a comic series named after him: "Luke Cage, Hero for Hire" appeared in 1972 and emerged from the "Blaxploitation" genre of the 1970s. The cheap, garish productions were supposed to appeal to the previously neglected market segment of the African American population. Luke Cage now has his own series on Netflix.
Image: Panini Comics/MARVEL 2020
Blade (1973)
Eric Brooks, or "Blade, " is half-human, half-vampire. After numerous minor roles, he was given his own comic series in 1994, in which he first goes on a vampire hunt armed with wooden daggers. Later, he uses a double-edged sword for hunting — as in the three film adaptations at the end of the 90s and beginning of the 2000s, in which Wesley Snipes impersonated the hero.
Image: Panini Comics/MARVEL 2020
Storm (1975)
The descendant of an African witch priestess is one of the most popular Black comic book superheroes. "Storm," or Ororo Munroe, is born with superhuman abilities and can, as a mutant, control the weather. Since the mid-1970s, she has been an integral part of the "X-Men," who fight for peace between mutants and humans.
Image: Panini Comics/MARVEL 2020
Black Lightning (1977)
Jefferson Pierce, born in the slums of a big city, manages to break out of his environment and wins Olympic gold as a decathlete. He returns to where he grew up to work with young people as a teacher. In the process, he comes into conflict with a delinquent gang. Equipped with a belt that gives him electromagnetic superpowers, he goes on the hunt for criminals.
Image: Panini Comics/TM & 2020 DC Comics
Cyborg (1980)
Victor Stone is seriously injured in an incident in his parents' lab. His father, a scientist, saves his life by turning him into a "cyborg," a hybrid of man and machine. Victor Stone alias "Cyborg" is a founding member of the "Justice League," a team of superheroes that protects Earth against alien forces.
Image: Panini Comics/TM & 2020 DC Comics.
Icon (1993)
Due to a malfunction, the alien Arnus' spaceship explodes and his escape capsule lands in the South of the US. He then takes on human form, but retains his superpowers. He is virtually invulnerable and can fly. Due to the similarities to one of the greatest figures in the superhero comic genre, "Icon" is often referred to as "Black Superman."
Image: TM & DC
Static (1993)
As a teenager, during a police operation, Virgil Ovid Hawkins comes into contact with radioactive tear gas which gives him superpowers. He joins the "Teen Titans" and, as "Static," watches over Dakota City. There are repeated conflicts with other teenagers who have also gained superpowers during the police incident, but who do not use them to serve the public good.
Image: TM & DC
Ironheart (2015)
Riri Williams, a 15-year-old supergenius, uses stolen materials to build himself a superhero suit that resembles "Iron Man" armor. When she later actually meets "Iron Man," he helps her in becoming a superhero. Riri is found in the comic crossover story "Civil War II," in which different groups of superheroes fight against each other, along with "Iron Man."