Details have emerged on how a prominent German editor gave Israel the original blueprints to Auschwitz. Germany had claimed them as its property.
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In a new revelation, it has come to light how the German publishing house Springer handed over the only known original blueprints of the Auschwitz concentration camp to Israel despite promising to give them to the German government, which considers the considers the blueprints its property.
Details of the controversial 2009 transfer were inadvertently revealed by "Bild" editor-in-chief Kai Diekmann.
In an interview with the Israeli online magazine "Spitz" this week, Diekmann said that he had handed over the blueprints - complete with Heinrich Himmer's signature - to Israeli Prime Minister Benjamin Netanyahu during a visit to Berlin.
At the time the blueprints were on display the Springer publishing house - one of Europe's largest digital publishers that owns Bild - after having been bought on the black market for an undisclosed sum.
Springer had the blueprints checked for authenticity with the German Federal Archives, which found them to be authentic. Springer also allegedly promised to give the blueprints to the Archives, which alongside the Interior Ministry considers the original document to be state property.
The Interior Ministry even told Springer that it would be stopped at the border if the anyone tried to bring the documents out of the country.
That is, anybody except Netanyahu, apparently. Diekmann had it in mind to give the blueprints to Israel to keep at the Yad Vashem Holocaust Memorial. He therefore arranged a meeting with Netanyahu in Berlin during one of his state visits and gave it to the Israeli leader.
The transfer to Israel was a "great disappointment," according to Hans-Dieter Kreikamp, who at the time was the manager of the "German Reich" section of the Federal Archives in Berlin.
Germany still owns a copy of the blueprint, but that is still not as good as the original.
"The difference between a good copy and the original is the sense of authenticity. A serious researcher would naturally like to examine the details. And one can only do that with the original," he said.
The art of the Holocaust
Artists held in Nazi camps depicted the horror they experienced. Now their work is on show in Berlin. The exhibition of 100 works from Israel's Yad Vashem presents the art that survived, though many artists didn't.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
The colors of the ghetto
Can something horrible also be beautiful? As seen in the Berlin exhibition "Art from the Holocaust: 100 Works from the Yad Vashem Collection," a number of artists managed to document life in Nazi concentration camps and ghettos and create great art even during one of humanity's greatest tragedies. Pictured: "A Street in Łódź Ghetto" by Josef Kowner, who survived the Holocaust.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
The refugee
For the first time, 100 works from the Yad Vashem memorial center in Israel are on display at the German Historical Museum in Berlin. Of the 50 artists included, 24 were murdered by the Nazis. Among the victims is prominent artist Felix Nussbaum, who was killed at Auschwitz in 1944. His famous painting, "The Refugee," was painted in 1939 in Brussels and reveals the desperation of exile.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
A self-portrait of suffering
Works by Charlotte Salomon have been shown elsewhere in Germany as well. In a collection of over 700 individual works, titled "Life? or Theater?: A Song-play," Salomon explored her own tragic life story as a Jew in Berlin. In 1943, she was deported from southern France, where she had found exile, to Auschwitz, where she was murdered immediately upon arrival. She was pregnant at the time.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
Pictures from a hidden girl
Nelly Toll's story is less well known. She and her mother survived the Holocaust in what was then the Polish city of Lwów because they were hidden by Christian friends. Locked in her room, Toll drew artworks including this gouache, "Girls in the Field." Now 81, the artist has traveled from her home in the United States to attend the opening of the Berlin exhibition.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
'Path Between the Barracks'
Leo Breuer from Bonn fought for the German Kaiser in World War I. In 1934, one year after Hitler rose to power, he immigrated to The Hague and then to Brussels, where he was able to work as a painter and exhibit his work. In 1940, he was taken to the St. Cyprien internment camp in France, and then to the camp in Gurs, where he documented his time there in water colors. Breuer died in 1975 in Bonn.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
Artistic collaboration
In Gurs, Leo Breuer created stage designs for the camp cabaret together with photographer and artist Karl Robert Bodek. The two also worked together on greeting cards and other pieces of art - until 1941. That's when Bodek was deported to the camp in Les Milles near Aix-en-Provence and then to Drancy and finally to Auschwitz, where he was murdered in 1942.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
Secret life of the artist
Bedřich Fritta headed the office at the Theresienstadt concentration camp where official propaganda material was produced. But Fritta and his colleagues also secretly drew images of the horrors of the Nazi ghettos. In 1944, their subversion was discovered. Fritta died in Auschwitz. After Theresienstadt was liberated, 200 of his works were found hidden in the walls and buried in the ground.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
Friendship beyond death
Leo Haas helped Fritta create countless works depicting life in the concentration camp. In Sachsenhausen, he was ordered to create counterfeit bills in the currencies of the Allies ("Operation Bernhard"). He survived and later adopted Tomáš, Fritta's son. After the war, Haas found 400 of his hidden works in Theresienstadt.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
Doctor under cover
Pavel Fantl belonged to the artists' circle at Theresienstadt as well. As a medical doctor he also ran the typhus clinic in the camp. Like Fritta, his cover was also blown and he was tortured and sent to Auschwitz. In January 1945, he was shot and killed during a death march. Around 80 of his drawings were smuggled out of Theresienstadt.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
The art teacher
Jacob Lipschitz taught at the art institute in Vilnius before the war. In 1941, he was forced to move to the ghetto in Kaunus, where he joined a group of artists that secretly documented life there. Lipschitz died in March 1945 in the Kaufering concentration camp. After the war, his wife and daughter went back to the Kaunus ghetto and recovered the pictures he had hidden in a cemetery.
Image: Collection of the Yad Vashem Art Museum, Jerusalem
Preserving dignity in tragedy
The images in the exhibition, which runs through April 3 in Berlin's German Historical Museum, document the inconsolability and brutality of life in Nazi camps. But they also show how artists managed to create a world apart from the horrific deeds of their captors. Pictured is Moritz Müller's "Roofs in Winter."
Image: Collection of the Yad Vashem Art Museum, Jerusalem