The director is the first Mexican to preside over the Cannes film festival jury as it decides the latest Palme d'Or winner. The eight-time Oscar awardee is rightly regarded as one of the best filmmakers of his time.
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Why Cannes jury president Alejandro González Iñárritu is one-of-a-kind
Twenty years ago, he helped kick off Mexico's movie renaissance. Now he's in charge of the jury at the world's most important film festival. There is plenty to know about the famous Mexican director.
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Master director
With six feature-length films, Mexican director Alejandro González Iñárritu, born in 1963 in Mexico City, has worked his way to the top. Having won back-to-back best film Oscars, he is undoubtedly one of the most important film directors in contemporary cinema. There is almost no international film award he has not already won; even his debut was a sensation.
Iñárritu's first major directing appearance in the film world was a considerable success. "Amores Perros," his feature-length feature film about the hardships of life in Mexico City, won two important awards at the Cannes Festival in 2000 before subsequently winning several other international awards. It featured Mexican actor Gael García Bernal (pictured).
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The weight of a soul: 21 Grams
Iñárritu's second feature film, "21 Grams," confirmed the director's artistic prowess. In this highly dramatic movie from 2003, Sean Penn (pictured) plays a man who just had heart surgery. The movie, which breaks into individual narrative fragments, plays with different story lines that elegantly come together at its conclusion.
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Hollywood stars and experiments: Babel
In his next film, "Babel" (2006), the director again does away with the standard linear narrative. Yet, despite his unorthodox storytelling, he managed to get big Hollywood stars to sign on. Babel features Cate Blanchett and Brad Pitt, among others.
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A passionate Spanish tale: "Biutiful"
In his next feature-length film, "Biutiful" (2010), the Mexican director switches cinematic styles to tell his tale, which is set in Spain. Javier Bardem plays a cancer-stricken family man in Barcelona torn between petty crime and religious devotion. Bardem won a Best Actor award in Cannes for his role.
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A triumpth with "Birdman"
In 2015, Iñárritu finally conquered Hollywood with his dark comedy, "Birdman." With its satirical twist on the tale of a worn-out movie star played by Michael Keaton (left), he won four Oscars. Once again, it proved that this director has something to say artistically, while still captivating a commercial audience.
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Leo finally gets an Oscar: "The Revenant"
Iñárritu once again showed off his directing mastery in his portrayal of one man's battle with the elements in "The Revenant." Shot in 2015 in the vast forests of Canada and South America, actors and crew worked in the wilderness, far from the comforts of Hollywood. lead actor Leonardo DiCaprio who won an Oscar for his role.
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Virtual reality for empathy: "Carne y Arena"
His most recent finished film is a powerful virtual reality piece. In "Carne y Arena" (Flesh & Sand) from 2017, viewers are given the opportunity to live the experience of a Mexican or Central American refugee crossing the desert at night to enter the US. Iñárritu interviewed 120 migrants about their experiences to write the script.
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Who gets the Palme d'Or?
On May 25th, after all of the competition films have been viewed and debated, Iñárritu will announce a winner. It seems likely that the director, who has already received many awards himself, including eight Oscars, will help make the right choice.
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Although he doesn't yet have a Palm d'Or in his collection, Mexican director Alejandro González Iñárritu was crowned best director at Cannes for Babel (2006), and has won most other world cinema prizes, including back-to-back best film Oscars for Birdman (2014) and The Revenant (2015).
Leading the Mexican new wave
Born in Mexico City in 1963, Iñárritu released his feature film debut Amores Perros in a side competition in Cannes in 2000 and took home two prizes. Paving the way for Mexico's film renaissance also driven by the likes of Alfonso Cuaron (Y Tu Mama Tambien), Iñárritu is today regarded as one of the most artistically influential directors in the world — while having also achieved significant box office success.
In recent years, movies from Mexican filmmakers like Iñárritu, Cuarón or Guillermo del Toro have continued to triumph at festivals, and at the Oscars and Cannes — del Toro won best director and best film Academy Awards in 2018 for The Shape of Water.
Mexican filmmakers have also received awards at the Berlin Film Festival, including Manuel Alcala and Alonso Ruizpalacios, who won the Silver Bear for best screenplay at the 2018 Berlinale for Museum. Meanwhile, directors like Carlos Reygadas or Amat Escalante (The Untamed), may not yet be as well known as Iñárritu and co., but have nonetheless received numerous accolades.
Not least because of the great attention paid to Mexican filmmakers in the US and Europe, Iñárritu now has the honor of being the first filmmaker in his country to preside over the International Jury in Cannes.
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Oscars and more: Alejandro Gonzalez Inarritu
Director, author and producer Alejandro Gonzalez Inarritu, born in 1963, is one of the main names of the current renaissance in Mexican cinema. In 2015 and 2016, his films "Birdman" and "The Revenant" won several Oscars and various other awards.
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Inarritu's debut: 'Amores Perros'
Inarritu's star actually rose much earlier. Constructed as a triptych, "Amores Perros" intertwines three distinct tales from the lives of people in the mega metropolis Mexico City. With its innovative storytelling and visual style, the work starring Gael Garcia Bernal won several awards, including the Prize of the Critic's Week at the Cannes Film Festival where it premiered in 2000.
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Accolades galore: Alfonso Cuaron
Filmmaker Alfonso Cuaron, just two years older than Inarritu, won this year's Golden Lion for "Roma" at the Venice Film Festival. Cuaron has also directed several Hollywood films, and his space thriller "Gravity" won seven Oscars in 2014. He celebrated his artistic breakthrough with "Y tu mama tambien" in 2001.
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Masterful special effects: Guillermo del Toro
Along with Inarritu and Cuaron, Guillermo del Toro, who won several Oscars for his 2017 romantic drama "The Shape of Water," makes up what is known as "The Three Amigos of Cinema." Del Toro has become firmly established in Hollywood, without forgetting his Mexican roots: "The Shape of Water" is magical and mysterious, with many references to Mexican culture.
Carlos Reygadas is a bit younger and perhaps not yet as famous as his three compatriots. His film "Nuestro Tiempo" was presented in Venice this year. Previously, Reygadas repeatedly did well at the Cannes Film Festival, winning the Golden Camera for "Japon" in 2002, the jury prize for "Silent Light" in 2007 and the directing prize for "Post Tenebras Lux" in 2012.
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Mexican beauty: Salma Hayek
Salma Hayek was first choice in 2002 for the role of Mexican art icon Frida Kahlo. The actress is in fact a figurehead for the Mexican film renaissance — even if she went to high school in Louisiana and has stronger ties to Hollywood than the cinema of her native country.
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Mexican beau: Gael Garcia Bernal
Gael Garcia Bernal, born in Guadalajara in 1978, is the handsome male face of today's Mexican cinema. He has stood in front of TV cameras since he was 14 years old. A top star in Mexico, he is also sought after by international directors such as Jim Jarmusch and Pedro Almodovar. He is known to a wider audience in the role of Rodrigo, a crazy star conductor in the US series "Mozart in the Jungle."
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Award-winning director: Amat Escalante
There are, of course, a number of filmmakers who are not as well known, but who nevertheless helped Mexico flourish as a filmmaking nation. Amat Escalante won the best director prize at the Cannes Festival in 2013 for the crime thriller "Heli" and its equivalent at the 2016 Venice Film Festival with his drama "The Untamed."
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Up-and-coming: Michel Franco
Michel Franco, born in 1979, is one of the young filmmakers most likely to make sure that Mexican cinema remains in the spotlight. Franco's films have already picked up three awards at Cannes: "After Lucia" (2012) and "April's Daughter" (2017) both garnered prizes in the Un Certain Regard section; his 2015 work, "Chronic," was selected in the main competition and won the best screenplay award.
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Thrilling scriptwriting: Manuel Alcala and Alonso Ruizpalacios
Mexico's booming film industry is not only based on the achievements of directors and actors, but also on its excellent writers. Manuel Alcala and Alonso Ruizpalacios, masters of their craft, were delighted to receive the Silver Bear for best screenplay at the 2018 Berlinale. Their film "Museum" is about a daring theft by two students who rob the National Museum.
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Inarritu's writer films: Guillermo Arriaga
Screenwriter Guillermo Arriaga wrote the scripts for director Alejandro Gonzalez Inarritu's early films, including "Amores Perros" (2000), "21 Grams" (2003) and "Babel" (2006), starring Brad Pitt and Cate Blanchett (photo). His screenplay for "The Three Burials of Melquiades Estrada" (2005) also won a Cannes award. Later Arriaga made his debut as a director.
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'Artist of his time'
Iñárritu is "not only a daring filmmaker full of surprises, but also a man of conviction, an artist of his time,” enthused director of the Cannes Festival, Thierry Fremaux, when he recently announced who would be competing in 2019 for the Golden and Silver Palms.
Iñárritu is supported by seven prominent colleagues. From the directoral side, he is joined by Greek Oscar-winning director Yorgos Lanthimos (The Favorite), Polish filmmaker Pawel Pawlikowski, Robin Campillo from France, Italian director Alice Rohrwacher, and Kelly Reichhardt from the United States. In addition, his jury is comprised of actresses Elle Fanning from the USA and Maimouna N'Diaye from Burkina Faso, as well as French cartoonist and filmmaker Enki Bilal.
Speaking at a press conference in Cannes to mark the opening of the 72nd film festival, Iñárritu spoke of the importance of the communal cinema experience, as opposed to merely "seeing" TV.
"To watch is not to see a film," he said. “To see is to not to experience. Cinema was born to be experienced in a communal experience.”
As Iñárritu presides over the jury at a Cannes film festival that has shunned Netflix content, no doubt he will be pushing for a Palm d'Or winner with true cinematic appeal.