Dr. John, legendary New Orleans pianist dead at 77
June 7, 2019
The hoodoo showman was revered as one of the city's great pianists. His long and raucous career included drug addiction, a stint in prison, six Grammys and an induction into the Rock and Roll Hall of Fame.
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The original "Night Tripper," Dr. John, died of a heart attack "towards the break of dawn" on Thursday morning, according to a tweet released by his family.
The legendary singer and pianist was one of New Orleans' most famous sons, taking up the mantle of such keyboard greats as Jelly Roll Morton, Professor Longhair, Huey "Piano" Smith, and Fats Domino.
Over the course of his almost 60-year career, he released more than 30 solo albums, contributed to some 45 more, won six Grammys and was inducted into the Rock and Roll Hall of Fame in 2011.
Born Malcolm John Rebennack, Jr., in New Orleans, Louisiana, on November 20, 1941, he began playing music as a child. His first introductions came from an aunt who taught him to play guitar, and his father, who sold records at his appliance store and would take him to nightclubs when he was working on sound systems.
By his own account, he began hanging around clubs while still in grade school. By the time he was a teen, he was himself performing in some of New Orleans' roughest bars.
Growing up in the city, he was exposed to its rich musical heritage early on and quickly took in its rhythm and blues, gospel, jazz, boogie, funk, and Mardi Gras spirit.
Prison blues
Though he began his career as a guitarist, a bar fight in Jacksonville, Florida, in 1961 left him unable to play the instrument after a gunshot almost took off his ring finger.
He was run out of New Orleans by law and order district attorney Jim Garrison in the early 1960s and a few years later, in 1965, he was sent to federal prison in Texas on drug charges.
Rebennack wrote extensively of his life, not only as a musician, but also as a drug addict, petty criminal and pimp, in his 1994 autobiography, "Under a Hoodoo Moon."
The birth of Dr. John
Upon release from prison, Rebennack resettled in Los Angeles, where he created his new persona, Dr. John, The Night Tripper, a wild shaman-like character decked out in furs, feathers and beads. The persona was based on a 19th century New Orleans medicine man and played to his love of the lore of his Cajun roots.
After working as a sought-after studio musician in LA, he released his first solo album, "Gris-Gris" in 1968. Although the strange and haunting mix of blues and psychedelic rock was not a commercial success, its otherworldly sound quickly made it a cult favorite.
Dr. John's second album, "Gumbo," released in 1972, saw a shift to more traditional New Orleans fare, featuring standards such as "Iko Iko," "Blow Wind Blow," and "Let the Good Times Roll." In 1973, Dr. John scored his only is Top 10 hit with the song, "Right Place, Wrong Time."
After moving to New York in the late 1970s, Dr. John eventually returned to his native New Orleans in 2009.
'Music is the one thing that keeps me alive and happy'
Over the course of his career, Dr. John was also a highly respected producer, songwriter, and session musician. He played with a diverse array of musicians such as Canned Heat, The Grateful Dead, The Band, The Rolling Stones, Ringo Starr, Van Morrison and many others.
In a 2011 interview with the New Orleans Times-Picayune newspaper, Dr. John spoke of the powerful influence of music, "Music is the one thing that keeps me alive and happy. If it don't be for music, I think I would have threw in the towel."
Malcolm John Rebennack, Jr., died in New Orleans on June 6, aged 77.
12 jazz greats
From the first jazz record to psychedelic sound collages, technology influenced the evolution of jazz. Here are some of the genre's most innovative musicians from the past century.
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Pioneers: The Original Dixieland Jazz Band
The first jazz album was recorded at the end of February 1917. It featured two titles, "Dixieland Jazz Band One-Step" on the A side and "Livery Stable Blues" on the B side. From this recorded event in the history of jazz, several other musicians would go on to push the genre to new levels over the century.
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First great soloist
Louis Armstrong grew up in Storyville, New Orleans' prostitution district, where the world's first jazz musicians played in brothels and competed to be recognized as the best. In the 1930s, Armstrong revolutionized New Orleans jazz with his solos, giving them a warm and romantic sound. His talent as a showman also remains unforgettable.
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The magician on the clarinet
Sidney Bechet played the clarinet and saxophone in the New Orleans hot jazz tradition, also known as Dixieland. He strongly contributed to the popularity of this style, playing live in Europe in the 1920s. Between 1937-1941, his most successful period, he recorded several albums and performed among others with Louis Armstrong. Bechet was the first musician to play the blues on a clarinet.
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The most entertaining showman
Cab Calloway was not only an exceptional musician, singer and bandleader, but also a gifted entertainer. A white tuxedo and his wide smile became his trademark. He would often perform in Harlem's Cotton Club and toured through the US and Europe. The famous "Hi De Ho Man" also developed dance moves that are seen as the precursor to Michael Jackson's "moonwalk."
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The first great pianist
Art Tatum put all other jazz pianists in the shade. As a child, he suffered from cataracts and learned music at a school for the blind. He became famous in the mid 1930s. When pianist Oscar Peterson first heard one of his recordings, he apparently believed two pianists were playing at the same time — that's how good Tatum was.
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The first great voice
Ella Fitzgerald actually wanted to become a dancer. Yet at an amateur night at the Apollo Theater, she opted to sing instead of dance as first planned, intimidated by a previous act. She won first prize. Her unique voice conquered the jazz world. She started her solo career in 1941 and recorded albums with the star trumpet players Louis Armstrong and Dizzy Gillespie and pianist Duke Ellington.
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The serious artist
Just like Ella Fitzgerald, Sarah Vaughan was discovered through her act at the Apollo Theater's amateur night contest. As one the great voices of jazz, she wanted to be recognized as more than a jazz diva, also taking on songs from Broadway musicals. Moving between styles, she performed until the end of her life in 1990.
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The pioneer of cool jazz
Hollywood, 1947: With three other saxophonists, the young Stan Getz in Tony de Carlo's orchestra enthused the audience at Pete Pontrelli's Figueroa Ballroom in Los Angeles. His hit bebop song "Early Autumn" paved the way to cool jazz. His most iconic hit, the bossa nova song "The Girl from Ipanema," won a Grammy in 1965.
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The most popular crooner of the 1950s
Born Nathaniel Adam Cole in 1919, he was influenced by the pianist Earl Hines' famous "trumpet style" and became known professionally as Nat King Cole in Chicago in 1936. He founded the King Cole Swingsters trio with guitarist Oscar Moore and bassist Wesley Prince. One of his greatest hits was the 1950 song, "Mona Lisa."
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The genius of soul
Ray Charles, a blind singer and pianist from Florida, started his career in the 1950s. Up until the 1970s, he was accompanied by his all-female singing group, the Raelettes (photo). He was a pioneer of soul music and an influentially powerful figure among African-American musicians. His songs like "Hit the Road Jack" and "I Can't Stop Loving You" remain enduring hits.
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A central figure of free jazz
The Californian pianist and composer Carla Bley started her career with The Jazz Composer's Orchestra. In 1971, she composed her most important work, the opera "Escalator Over the Hill," which combines rock, free jazz and Indian music. The now 82-year-old musician still performs to this day.
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The eclectic trumpet master
From 1957's "Birth of Cool" sessions, instrumental to the development of cool jazz, to 1970's psychedelic "Bitches Brew," Miles Davis is remembered for a series of revolutionary milestones. The trumpeter who died in 1991 remains one of the most influential musicians of the 20th century.