The major players of the German music industry all convened in Berlin for the 22nd annual ECHO Music Awards. But is the event really comparable to the Grammys, or are critics right to call it too self-congratulatory?
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The 22nd annual ECHO Music Awards began Thursday (21.03.2013) evening as it would also go on - with familiar faces and more than a few clumsy moments; Schlager singer Helene Fischer, hosting this year for the first time, appeared on screen in the opening seconds of the live broadcast from Berlin's Palais am Funkturm accompanied by British singer and former member of Take That, Robbie Williams, who bumbled through a few statements in German.
Fischer then descended onto the stage on wires and delivered a rousing version of Robbie Williams' 1998 hit "Let Me Entertain You" before getting things underway by referring to the ECHO as "the United Nations of music."
The awards show, organized by the Deutsche Phono-Akademie (German Association of Recording Companies), has taken place annually since 1992 and while its organizers pattern it after internationally-renowned events such as the Brits and the Grammys, where winners are determined either by popular vote or jury, most ECHO prizes are decided based heavily on record sales from the previous year.
Nice to see you again?
Focusing on the best-selling artists in Germany means that the same stars tend to take the stage time after time. Lead singer of indie-pop band Silbermond, Stefanie Kloss, inadvertently summed it up in the video introduction to the Best National Group category, in which her band was nominated: "Ever since we brought out our first record (in 2004), we've been nominated for something every year. It's crazy."
Youth culture magazine "Vice" echoed that sentiment in an article titled "Ten Reasons We Are Boycotting the ECHO," listing among them the event's core concept of awarding trophies based on record sales: "It automatically means that any kind of innovation or vision is limited to one narrow idea, making the prize itself essentially meaningless."
This year's ECHO provided more fodder for that view, as acts who have been associated with the ceremony for years were wheeled out to appear again. Die Toten Hosen added four new trophies to their already large heap, Robbie Williams was awarded his tenth while new hip-hop sensation Cro was nominated in six different categories.
Rapper Cro: everywhere and nowhere
However, the 2013 ECHO ceremony scored well on the live music front; there was some gloomy synth-pop courtesy of ever-dependable duo Hurts, Cascada belting out this year's German entry for Eurovision, "Glorious," plus the eagerly-anticipated live debut of Depeche Mode's latest single, "Heaven."
Another quirky highlight was German rapper Cro's live performance of "Einmal um die Welt" (Once Around the World) after scooping the prize for Best Hip-hop/Urban Artist. A crowd of Cro look-a-likes, all wearing his trademark panda mask, swarmed the stage in a move reminiscent of the opening of the 2011 Eurovision Song Contest in Düsseldorf where dozens of Lena Meyer-Landrut facsimilies danced around until the girl herself emerged to rapturous applause. Anyone hoping for a repeat reveal would be disappointed; at the conclusion of the song, all the Cro copycats unmasked themselves. The man himself had never been on stage in the first place.
A few moments surely left viewers scratching their heads. German dance duo Deichkind, appearing on stage to accept the award for Best National Club/Dance act refused to speak. Instead, a Lady Gaga look-a-like accepted the award for them, stumbling through the German speech in a manner reminiscent of Robbie Williams at the top of the show.
Lena Meyer-Landrut, who managed to win the Eurovision Song Contest in 2010 without so much as a lump in her throat, seemed to have a nervous breakdown at the announcement that the video for her single "Stardust" scooped the Best Video prize; she collapsed on stage and burst into tears.
British singer/songwriter Katie Melua mispronounced the band Unheilig (Unholy), winners in the National Alternative category, instead saying Unheimlich (Sinister). And to add insult to injury, just as lead singer Der Graf began his acceptance speech, Melua, realizing her mistake, interrupted to announce them again…and pronounced their name wrong a second time.
And just when one might have thought the show couldn't get any more surreal, up popped former French First Lady Carla Bruni.
ECHO 2013: Who won what?
A selection of winners from the 2013 ECHO music awards.
The toast of the German music business
Every year since 1992, the movers and shakers of the German music industry have attended the ECHO Music Awards. Held for the fifth year at Berlin's Palais am Funkturm on Thursday (21.03.2013) and hosted by Schlager singer Helene Fischer (pictured), the glittering event is an important annual meet on the music industry calendar. Click on to find out who took home trophies this time.
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Best Male Artist (Rock/Pop - National)
German-American violinist David Garrett is one of the most successful musicians in his field. His crossover approach to music - mixing classical sonatas with covers of pop/rock hits - aims to draw more young people into classical music. The 32-year-old gave a lively performance of the Coldplay track "Viva la Vida" together with a spectacular lightshow and white-clad, ribbon-twirling gymnasts.
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Best Female Artist (Rock/Pop - National)
Afro-German singer Ivy Quainoo first rose to prominence in February 2012 when she finished in first place at the end of the inaugural series of The Voice of Germany. Debut single "Do You Like What You See" soared into the Top 100 at Number 2 followed by first album "Ivy," which has sold in excess of 100,000 units. Her first ECHO is confirmation that her career seems headed in the right direction.
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Best Male Artist (Rock/Pop - International)
Robbie Williams, former member of sensationally popular boy band Take That, is an ECHO record-setter; he has 10 awards, more than any other artist in the history of the ceremony. This year saw him scoop the prize for Best International Male Artist in the category of Rock/Pop for last year's "Take the Crown," his ninth studio album.
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Best Female Artist (Rock/Pop - International)
The cinematic qualities of Lana Del Rey's music coupled with her wry references to 50s Americana have made her a firm fixture in pop a mere three years after the release of her self-titled debut album. Last year's release, "Born to Die", her second album, topped the album charts, and sales peaked at around 350,000, making her one of the most popular artists with German record buyers.
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Best Group (Rock/Pop - National)
Nominated for seven ECHOs this year, punk-rock band Die Toten Hosen, who just last year celebrated 30 years in the business, were expected to sweep the board. While they didn't bag all seven, they did leave the Palais am Funkturm with a more than respectable four trophies for Best National Rock Group, Album of the Year, Hit of the Year and Best National Producer.
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Best Group (Rock/Pop - International)
Lead by vocalis Marcus Mumford, English folk rock band Mumford & Sons have been making waves in Germany since the release of second album "Babel" in 2012, which peaked at Number 2 on the German charts. Currently on tour, the guys couldn't attend the ceremony and instead recorded their thank you speech backstage in Madrid where Robbie Williams presented them with their trophies.
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Best Group (Alternative - National)
Unheilig had been in the music business for almost a decade before scoring their breakthrough hit with their seventh album, "Große Freiheit" (Great Freedom), released in 2010. Needless to say, they dominated the following year's ECHO awards, walking off with three including Album of the Year. This year's haul was also impressive; two trophies for Best National Group and Best German Act Abroad.
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Best Group (Alternative - International)
Californian rap-rock band Linkin Park have been around since 1996. The release of last year's "Living Things", their fifth album, saw the disc top the charts in some sixteen countries, including Germany, where it was certified platinum for sales in excess of 200,000 units. The group went home with this year's prize for Best International Alternative Group.
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Best Artist (Hip-hop/Urban - National)
While no one knows what he looks like (except perhaps for his parents), nearly everyone in Germany knows the name and the music. In a short space of time, Cro has established himself as the new face of German hip-hop, combining the tougher elements of the genre with a pop sensibility, ensuring a wide, cross-over appeal. He also won the Best Newcomer ECHO this year.
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Best Artist (Electronic/Club/Dance)
An inevitable win for one of Germany's most successful club/dance outfits, Deichkind. The Hamburg-based crew have an extremely popular line in rowdy, infectious club tracks. Their biggest commercial success so far is last year's album "Befehl von ganz unten" (Order from Below). More surprising than their win was the band's bizarre acceptance "speech," where the guys refused to speak.
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Critics' Prize
In a ceremony dominated by commercial, mainstream music, the Critics' Prize is generally seen as honoring slightly more offbeat music. Previous nominees and winners include Pantha du Prince, Modeselektor, BOY and Apparat. But this year's ceremony took a different turn with well-established chart stars Kraftklub from Saxony taking the prize.
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Led Zeppelin on stage
The awards show has long mixed international stars with domestic household names. Arguably the crowning moment came on Thursday with legendary British rockers Led Zeppelin walking off with a well-deserved Lifetime Achievement award to a standing ovation.
Despite some moving moments, it's difficult to refute some of the criticisms the ceremony attracts. For example, Helene Fischer, sufficiently in the spotlight hosting the show and already with four ECHO awards on her mantelpiece, scooped a further two on the night; the first for Best Schlager Artist, the second for Best National DVD Production.
When an awards ceremony starts dishing out trophies to the host, it's easy to see why it invites criticism as self-congratulatory and un-original. Ultimately, the ECHO remains something of an enigma - a huge, lumbering event, part key industry meet, part joke, it suffers from an identity crisis, its inner workings a mystery to the public and it often seems riddled with backbiting and in-fighting. The United Nations of music? That may well be the most accurate description yet.