Easter egg hunts are a widespread tradition in Germany. Children especially enjoy searching for colorfully decorated hard-boiled eggs on Easter Sunday morning, as seen here near Goethe's garden house in Weimar. The egg symbolizes new life.

In Germany, children are told that a rabbit hides the colorful eggs they must find. But since rabbits don't even lay eggs, where did the idea come from? One theory is that rabbits are known for their fertility, so, like the eggs, they symbolize life.

Germans often eat cakes shaped in the form of a lamb at Easter. Like the rabbit, the lamb is considered a symbol of the holiday. For one thing, the Bible refers to Jesus as the "Lamb of God." For another, the lamb is a reminder of the exodus from Egypt and Passover, when the Israelites sprinkled their door frames with the blood of sacrificial lambs to remind the Angel of Death to spare them.

Germans also prepare for Easter by decorating wells and fountains with flowers and colored eggs in some regions. Some towns get very creative, and include arches and ornate decorations, especially in the area of Franconia in North Bavaria, where the practice originated. It may have began as a way to show gratitude for the water source, as water was once a precious commodity.

Church bells loudly ringing on Easter Sunday announce the "good news" of Christ's resurrection to Christians. In some places, church bells fall silent from Maundy Thursday, the Thursday before Easter, to Easter Sunday. According to Roman Catholic legend, bells fly to Rome during that time and return the night before Easter.

During Easter mass in churches, a so-called Paschal candle also plays a special role. The light is passed from candle to candle to remind the faithful that, with his resurrection, Christ brought light into the darkness of the world.

The tradition of having an Easter bonfire probably existed as a pagan ritual among Germanic tribes before the arrival of Christianity to the region. It was meant to dispel the darkness of winter and welcome the spring. Even today, damilies, friends and neighbors meet in the countryside to light large fires.

On Easter Sunday, large oak wheels stuffed with straw are lit and roll downhill. The wheel of fire symbolizes the disc formed by the sun, and the Easter wheels also heralds the coming of spring. This tradition can be found mainly in rural areas of northern Germany and in the Harz mountains.

The Sorbs, a Slavic minority in eastern Germany, have their own Easter traditions. In Bautzen, in Saxony, Easter riders proclaim the Easter message on the Peace Bridge, which they then take to the surrounding communities while singing songs and saying prayers.

Since temperatures are typically milder around Easter, many people enjoy going for walks on Easter day. This tradition was immortalized by German poet Johann Wolfgang von Goethe in his work "Faust."

... sat on a wall until he "had a great fall," as everyone who has ever heard the popular nursery rhyme knows. But this poor fellow is never explicitly called an egg. However, in British author Lewis Carroll's 1871 book "Through the Looking-Glass" (above), Alice marvels at "how exactly like an egg he is." In fact, he has popped up in numerous works of literature described as looking like an egg.

Intricate, made of gold, enamel and precious and semi-precious stones, Faberge eggs were a luxurious gift indeed. The most famous are the 50 so-called Imperial eggs the Russian jeweler Peter Carl Faberge made for the Romanov Czars as Easter presents for their wives and mothers. The royal valuables are almost exclusively showcased in collections and museums worldwide.

A raw egg is the epitome of fragility, but in the above sculpture by US artist Jeff Koons, it is made of hard, shiny stainless steel, coated on the outside in a brilliant magenta. This particular "Cracked Egg" is one of five tall egg sculptures in different stark colors, created between 1994 and 2006 and described by Koons as a "symbol of birth."

Same egg, different shape: The frying pan with a sunny-side up egg is a popular emoji. The ideograms that first showed up on Japanese mobiles in the late 90s have conquered messaging around the world. Far from the mundane egg, the "Face with Tears of Joy" emoji was named Word of the Year by Oxford Dictionaries in 2015. Along with the above pan, it is one of more than 2,000 that people use.

Hieronymus Bosch, a 15th and early 16th century Dutch painter, is known for his nightmarish illustrations. The central panel of the triptych "The Last Judgment" shows hellish creatures mercilessly punishing the damned, among them a monster with a head and legs stuck in an egg pierced by a spear. Art lovers can purchase the "egg monster" online in the form of a "hand-painted resin" figurine.

Note the egg-shaped object in Salvador Dali's "Metamorphosis of Narcissus." The surrealist artist's 1937 oil painting looks at the Greek myth of Narcissus, about a beautiful man who is engrossed in his own reflection in a pool. This narrative is barely visible in the painting; instead it shows Narcissus' mirrored transformation into a huge hand holding a egg from which a narcissus flower springs.

Large white egg-shaped objects perch on top of the Dali Theater-Museum in the Spanish town of Figueres. The museum is filled with Dali's paintings, drawings, sculptures, engravings, installations, holograms, stereoscopes and photos. Dali himself designed it to be "a great surrealist object ... the people who come to see it will leave with the sensation of having had a theatrical dream."

In 1958 Arne Jacobsen created the Egg Chair for the lobby of the SAS Royal Hotel in Copenhagen. The Danish architect and designer was in fact responsible for the entire the new hotel, from its architecture to its interior design. Simple, effective, with an almost sculpted look, the inviting egg-shaped lounge chair is a design classic that has inspired countless furniture designers.