Heinrich Schliemann, born in 1822 near the German city of Rostock, did not have a lucky start in life. Due to financial hardship, he broke off his studies as a young man and began a business apprenticeship. He quickly made a career using his skill and talent for languages. He built his fortune in Moscow, selling ammunition to the tsar's army. Then he began to educate himself and travel.

Schliemann married the 17-year-old Sophia in Greece in 1869. Here, she's seen wearing a head dress from the cache of gold known as Priam's Treasure, which Schliemann excavated from the Troy site in 1873 and smuggled back into Germany. After World War II, the artifact was moved to Russia, where it has been on display in the Pushkin Museum in Moscow since 1992.

The legend of Troy has inspired people for thousands of years. The epic poet Homer described the Trojan War in his "Iliad," which told the tale of the city's siege by the Greeks. They were only able to conquer Troy with deception, building a wooden horse in which they hid warriors. When the residents of Troy brought the gift horse into the city, they also brought the enemy into their midst.

Using various clues in Homer's epic "Iliad" poem, Schliemann eventually found what he had been searching for hiding under a hill in Hisarlik, in what is now northwestern Turkey. The discovery was difficult to precisely map due to the long history of the city's settlement. But in 1872, Schliemann and his assistant Wilhelm Dörpfeld were finally certain: The walls they had unearthed belonged to Troy.

On May 31, 1873, Schliemann believed he had found his ultimate prize: the palace of King Priam. He also discovered golden artifacts hidden under shards of broken pottery — this precious head dress among them. Later, however, it was determined that the relics came from a much earlier time.

Schliemann also hoped to uncover additional sites from early Greek history, other places featured in Homer's "Iliad." In 1874, at the age of 52, Schliemann traveled to the site of Mycenae, where he suspected he would find the grave of the legendary Greek leader Agamemnon. There, too, he made a sensational discovery.

During his excavations in Mycenae, Schliemann discovered a grave with two skeletons. Obsessed with his idea to uncover traces of the Trojan War, he dubbed one of the death masks "Mask of Agamemnon." It later turned out not to belong to the famous ruler, but to a Mycenaean prince.

Despite being an archaeological pioneer, Schliemann was ridiculed by his German compatriots. In initial excavations, he destroyed important findings at the Troy site. Later, he began to examine the site more closely with meticulously planned trenches, discovering ceramics which he used as "index fossils." He also left behind an accurate record of all his discoveries.

In 1876, German archaeologist Heinrich Schliemann discovered spectacular golden masks in a grave. One of them became known as the "Mask of Agamemnon," even though later research determined that the masks were some 400 years older than the king. The masks are highlights of the exhibition "Mycenaean Greece: The legendary world of Agamemnon."

The Tholos Tombs of Routsi were fortunately untouched by grave robbers. This piece, known as the "Crown of Routsi" dates back to the 15th - 16th century BC and still puzzles experts: "Its scientific interpretation has just begun; some believe it's a priest's crown, others rather think it's a precious helmet," said the exhibition's co-curator Bernhard Steinmann.

The center of power of a Mycenaean palace is a great hall known as the megaron, along with the throne room. The ruler, or wanax, held political and religious ceremonies there. Visitors of the exhibition in Karlsruhe can walk through impressive replicas of these palaces displaying elaborately decorated vases, amphorae, frescoes, swords as well as stone and gold jewelry from that era.

Mycenaean artists were renowned for their intricate gold art. This button from the 16th century BC was found in 1876 in the Mycenaean shaft graves excavated by Heinrich Schliemann. It is made of bone that was then covered with gold foil. The spiral ornamentation is typical of the art of the early Mycenaean period.

Homeric heroes also took personal hygiene seriously. Along with the ceramics, jewelry and weapons, the graves also contained razors and bronze mirrors from the early 12th century BC. This razor displayed at the exhibition demonstrates that men also shaved at the time.

A mysterious smile and a determined gaze: This fresco fragment depicts the so-called "White Goddess" from the Pylos palace and dates back to the 13th century BC. Mycenaean tile paintings reveal impressive details, and this piece is one of the highlights of the exhibition.

A larnax is a chest made of wood or clay, which also served for the burial of the dead. Idols, miniatures and glass jewelry were often added to the tomb. This larnax from the 13th century BC is made of clay and comes from Tanagra in Boeotia, north of Athens. It shows a procession of four mourning women holding their hair, a funeral ritual at the time.

Precious possessions accompanied the wealthy deceased on their journey to eternity. This gold cup was found by Heinrich Schliemann in one of the shaft graves of Mycenae. It shows dolphins swimming in an underwater landscape.

Luxurious jewelry made of gold and glass beads has always fascinated humanity. Such noble pieces were however reserved to the elite. This necklace from the 14th century BC is made of rosettes covered in gold leaf.

Bull figurines such as the ones shown above were not uncommon in Mycenaean settlements. However, it remains unclear to this day whether they were an expression of popular piety and served as sacrificial offerings to the gods or if children used them as toys.

The most recent finding at the Amphipolis excavation site in northern Greece were two female statues, known as caryatids. Wearing long robes and thick curly hair, they guard the second entrance to the tomb, which dates back to 300-325 BC - the era of Alexander the Great. The interior of the tomb has not yet been explored, but experts suspect the contents may still be intact.

One of the two female figures discovered on September 6 was missing its face. "The left arm of one and the right arm of the other are raised in a symbolic gesture to refuse entry to the tomb," said Greece's ministry of culture in a statement. The two figures were similar in style to the two other statues found several weeks earlier: sphinxes at the main entrance to the tomb.

These two marble sphinxes stand watch at the main entrance to the tomb and were uncovered in August by archeologists. They would've been over 6 feet (1.8 meters) tall with their heads and wings, pieces of which were found nearby. A wide path and 13 steps lead to the entrance of the tomb, which is the largest ever discovered in Greece. The burial mound alone measures 1,500 feet (457 meters).

This marble lion, over 17 feet (5 meters) tall, supposedly stood atop the tomb. It was discovered by the Greek army in the bed of the Strymónas River back in 1912. While experts can't be sure that the tomb was left undisturbed until it is fully excavated, expectations are high that it belonged to an ancient celebrity, possibly one of Alexander the Great's high-ranking officials or family members.

Excavation work on the tomb in Amphipolis began in 2012 under the direction of chief archeologist Katerina Peristeri. "We are like surgeons, making slow progress," she told Greek media. The tomb, located in the Macedonian region of Greece on the Aegean Sea, dwarfs that of Alexander the Great's father. The legendary ruler is thought to be buried in Egypt, though the exact location is unknown.

This intricate marble panel was found in what appears to be the antechamber of the main room of the tomb. The quality of the work is evidence of the wealth and significance of its owner. Alexander the Great's wife and son are said to have been murdered in Amphipolis when Macedonian general Cassander conquered the territory in the 4th century BC. It's possible the tomb was made for them.

This marble-faced stretch of wall was uncovered at the tomb site in August. Experts have said the structure bears the handprint of Alexander the Great's chief architect, Deinocrates of Rhones, who was employed to build the city of Alexandria.

Pictured is an aerial view of the Amphipolis site, located south of the Greek city of Serres. Anticipation is high as archeologists make their way deeper into the chambers of the tomb, which the Greek government has called a "monument of great importance." The mystery of its inhabitant will likely be solved in the coming weeks, though Alexander the Great's burial site may forever remain a secret.