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Workers walk near the reactor buildings at the tsunami-crippled Fukushima Daiichi nuclear power plant on March 1, 2021
Workers walk near the reactor buildings at the tsunami-crippled Fukushima Daiichi nuclear power plant on March 1, 2021Image: Sakura Murakami/REUTERS

Radiation still a concern 10 years after Fukushima

Julian Ryall Tokyo
March 11, 2021

Environmental groups have said the effort to decommission the crippled Fukushima nuclear plant is hopeless. Some local residents fear it's not safe to return to communities that were beneath the radioactive plume.

As Japan marks the 10-year anniversary of the most destructive natural disaster in its recorded history and the nuclear accident that it triggered, the operator of the Fukushima Daiichi power plant has expressed confidence that efforts to decommission the site are on schedule.    

Anti-nuclear campaigners are critical of that position and insist that Tokyo Electric Power Co.'s plan to complete the decommissioning of the three reactors that suffered meltdowns has "no prospect of success and is delusional," while people living in areas that were directly beneath the plume of radioactivity in March 2011 say their lives have been changed irreparably and forever. 

The crisis at the Fukushima nuclear plant followed the magnitude-9.1 Great East Japan Earthquake on the afternoon of March 11, 2011. The quake, the fourth most powerful anywhere in the world since modern record-keeping began in 1900, caused a series of tsunami waves that in places reached more than 40 meters high and bore down on the coast of northeast Japan. 

Screengrab obtained on March 15, 2011, shows an explosion at the Fukushima nuclear plantImage: ABC TV/dpa/picture alliance / dpa

'People shouldn't be told that it's safe to come back'

The tsunami breached the nuclear plant's sea defenses and flooded the lower parts of four of the site's six reactor buildings, causing the failure of emergency generators required to keep water pumps circulating cool water for the reactors. The overheating of the reactor cores caused three of the units to suffer meltdowns, with operations of the fourth unit suspended for maintenance at the time of the disaster. 

In the days after the accident, the government ordered the evacuation of more than 154,000 people living in surrounding towns and villages. Plans were also quietly drawn up for the evacuation of a vast swathe of the north of Japan in the event that one or more of the reactor chambers was breached and released vast amounts of radiation into the atmosphere.

That scenario never came to pass, although the Fukushima accident is still classed as the second most serious nuclear accident in history, behind the Chernobyl disaster, and experts estimate that around 18,000 terabecquerels of radioactive caesium-137 were released into the Pacific Ocean, along with varying amounts of strontium, cobalt, iodine and other radionuclides. 

Nobuyoshi Ito ignored requests from the authorities to leave his home on the outskirts of the town of Iitate after the disaster a decade ago. He insisted that he was already old, that the radiation would be unlikely to impact his longevity and that he needed to remain to serve as a human test subject.

Now 76, he has spent the last decade monitoring radiation levels in the surrounding hills, as well as in crops that he grows and wild fruit and vegetables.

"Three years ago, they lifted the evacuation order and they have been encouraging people to return ever since," he told DW. "I've been recording the radiation levels since the accident and they have certainly gone down, but the soil here will be contaminated for years to come. People should not be told that it's safe to come back because I do not believe it is." 

Artists reflect on the Fukushima disaster after 10 years

A museum south of the exclusion zone features works by Japanese artists who deal with the disaster in their works, while trying to establish a culture of remembrance for coming generations.

Image: Komori Haruka + Seo Natsumi

'Artists and the Disaster: Imagining in the 10th Year'

By organizing the exhibition "Artists and the Disaster: Imagining in the 10th Year," the art center in the city of Mito (photo), which suffered damage from the earthquake of 2011, looked back on the catastrophe after one decade through the eyes of Japanese artists.

Image: Jun Tazawa Courtesy of the Art Tower Mito

Enchanting landscapes in the exclusion zone

In his works, artist Akira Kamo paints the ambivalence of post-disaster scenery in nuclear exclusion zones: beautiful landscapes where no one can enter because of the risks of contamination from radioactive substances. This painting from 2019 is titled: "Standing Near Kitaide, Namiemachi, Futaba District, Fukushima Prefecture."

Image: Ken Kato

A double-layered town

Through video, writings and paintings, the duo Haruka Komori + Natsumi Seo depict the recovering process of Rikuzentakata, Iwate Prefecture, a town that suffered tremendous damage from the tsunami, and its metamorphosis through the years. This still is from the video "Double layered town, Making a song to replace our positions."

Image: Komori Haruka + Seo Natsumi

Against fear and discrimination

With his documentary film "A Classroom Divided by a Red Line," Hikaru Fujii addresses the issue of discrimination experienced by the people of Fukushima fueled by fear and anguish towards the invisible.

Image: Hikaru Fujii

Creating connections

In this video series based on encounters with real people, the artist Tadasu Takamine portrays the impact of the nuclear accident on people's daily lives after the catastrophe, and confusion regarding the radiation risks that has emerged in the Japanese society.

Image: Tadasu Takamine

A mountain turned into a pile of sand

Makiko Satake's paintings depict how the landscape of the affected areas' dramatically changed after the disaster. This work, titled "Hiyoriyama-Hello Again" is her impression of the lowest mountain in Japan located in Gamo, Sendai. The area was reduced to a wasteland after being hit by the tsunami.

Image: Makiko Satake

Restricted zone

"Don't Follow the Wind" is a collaborative project that has taken place since 2015 at multiple locations in the so-called Difficult-to-Return Zone. Twelve artists are exhibiting their work in there; but nobody can physically visit the venues until the restrictions are lifted. Grand Guignol Mirai, one of the artists involved in the project, made videos of the artists' journey to the zone.

Image: Courtesy of Don’t Follow the Wind

Processing pain through art

Artist Nishiko is collecting objects broken by the earthquake, carefully repairing them, giving them a new life, despite their painful history.

Image: Yuzuru Nemoto
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Complex nuclear decommissioning project

Akira Ono, the head of the Fukushima site and chief decommissioning officer, said in an interview this week that there is no need to revise the target of completing work to render the reactors safe, which has been set at between 2041 and 2051.

"We will stick to the 30-to-40-year finishing target and will compile a timeline and technology and development plans accordingly," he told the Associated Press.  

That is despite new revelations that levels of cesium on the primary containment chambers of two of the reactors are far higher than previously believed, which will further complicate the decommissioning work. Also, much remains to be discovered about the melted fuel that fell out of the core to the base of the containment chambers of the three reactors.

Fukushima farmer vows to continue nuclear fight


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And even though no nuclear decommissioning project of the scale of Fukushima has ever been attempted before and, in some areas, the technology has yet to be developed to enable the work to be completed, TEPCO intends to press ahead with its efforts and is due to release an updated roadmap of its efforts before the end of March.

A decade of deception and delusion?

Shaun Burnie, a nuclear specialist for Greenpeace East Asia, insists there is no likelihood of TEPCO's schedule being met and that the authorities are continuing to ignore the risks to people's lives.

"Successive governments during the last 10 years … have attempted to perpetrate a myth about the nuclear disaster," he said in a statement to DW. "They have sought to deceive the Japanese people by misrepresenting the effectiveness of the decontamination program and ignoring radiological risks.

"At the same time, they continue to claim that the Fukushima Daiichi site can be returned to 'greenfield' status by mid-century," he said. "The decade of deception and delusion on the part of the government and TEPCO must end. A new decommissioning plan is inevitable, so why waste more time with the current fantasy?" he asked. 

According to research conducted by Greenpeace, just 15% of the 840 square kilometers (324.3 square miles) identified as being most contaminated from the nuclear fallout has been decontaminated, while the towns of Namie and Iitate, which the government announced were safe for evacuees to return to, still have radiation above safe levels. 

Burnie said a "fundamental rethink in approach and a new plan" for the decommissioning of the site is required. The least bad choice, Greenpeace believes, is to keep all material that has been contaminated with radiation on site indefinitely, including the nuclear fuel debris, "if it is ever retrieved."

"Fukushima Daiichi is already and should remain a nuclear waste storage site for the long term," he concluded. 

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