Every summer, Salzburg becomes a showcase for stars and celebrities. In 2020, as the Salzburg Festival turned 100. Around 200 concerts, opera and theater performances in just 43 days attract more than a quarter of a million visitors from more than 80 countries to Austria's fourth-largest city.

The festival opens every year with "Everyman" (pictured) on Cathedral Square. The production of this play in 1917 also marked the birth of the festival and has become its trademark since then. In addition to Cathedral Square, the Festspielhaus and the Felsenreitschule (Riding School) are its best-known venues. In 2020, actor Tobias Moretti (left) gets a new female paramour.

Wolfgang Amadeus Mozart first saw the light of day at Getreidegasse 9 (left in the picture) in 1756. Now there is a museum in the family’s original living quarters. Mozart fans can see a second Mozart residence just around the corner, where he lived as an adult while serving as concertmaster until he turned his back on the city and moved to Vienna.

It's always worth looking up: The delicate, playful wrought-iron guild signs above the shops and pubs are an optical highlight in Getreidegasse. Salzburg's soul is in its cafés — with their tempting sweet specialties: Salzburger Nockerln, a kind of baked soufflé, and Mozartkugeln, small, round chocolates filled with nougat and marzipan.

As in Mozart's time, the Old Town is shaped by its narrow lanes and spacious squares. One of the loveliest is Kapitelplatz, Chapter Square. High above it towers the symbol of the city, Hohensalzburg Fortress, one of the largest medieval fortified castles in Europe. Since 1996 the Old Town has been a UNESCO World Heritage site.

In the 16th century, Salzburg's prince-archbishops had the DomQuartier district with its Residenz palace and St. Peter's Abbey rebuilt in Italian Baroque style to display their prestige and power. Their aim was to create a “Rome of the North.” Salzburg Cathedral is now considered a major innovation: the first early Baroque church building north of the Alps.

Hellbrunn Palace was one of the Salzburg prince-archbishops' prestige-building projects. This masterpiece of hydraulic engineering, with its water-powered automata and trick fountains, attracts 300,000 visitors a year and leaves none of them dry. The old trees that line Hellbrunner Allee, which runs through its park, provide a habitat for rare beetles, bats and woodpeckers.

Engaged couples queue up in front of Mirabell Palace on summer weekends for the privilege of saying “I do” in its Marble Hall. Prince-Archbishop Wolf Dietrich had this pleasure palace built 1606 as a love token for his mistress, Salome Alt. The park provides a vista that reaches as far as Hohensalzburg Fortress, framed by an alpine panorama.

On the steep cliffs of the Mönchberg, one of Salzburg's three local mountains, the puristic architecture of this museum of modern art challenges the Baroque of the Old Town. The museum focuses on modern Austrian graphic and photographic works. Its terrace provides one of the loveliest views of Salzburg.

Airplanes, racing cars and delicious food: Since 2003, Austrian billionaire Dietrich Mateschitz has been sharing his passions with the public. In Hangar-7, a unique glass and steel structure, Mozart operas and TV shows take place in the middle of his historical aircraft collection. The event location also houses a gourmet restaurant and bars — all with a view of the Alps.

Salzburg isn't just for classical music lovers: There's plenty of partying and dance music at the Electric Love Festival, which has taken in early July since 2013. In 2022, the festival took place from July 6-9. On the Salzburgring race track, usually used for motorsport events, 120 DJs appear on five stages. It's considered Austria's most important electronic music festival.

For 100 years, the Würzburg Residence has been one of the main venues used during the Mozart Festival. This anniversary will not only be celebrated in music, but also visually with the exhibition "Imagine Mozart." It highlights how various artists have beeen influenced by Mozart's work and personality over the past 250 years.

This is how Mozart is supposed to have looked. This portrait created by the Würzburg painter Joseph Lange is considered to be the only authentic Mozart painting. Other portraits are often idealized to fit the mental image of a creative genius, says art historian Damian Dombrowski. "Few dared to show Mozart as unattractive as he actually was — according to those around him."

It was not until 70 years after his death that the first monument to Mozart was erected in Salzburg. On the right-hand side, there is an image of a monument design by Edmund von Hellmer. He placed Mozart on a pedestal surrounded by columns and garlands. The sculptor shows Mozart as a genius caught in a moment of inspiration, his gaze wandering into the distance. But the design was never realized.

Arman was a French-US American object artist of the Nouveau Realisme artistic movement. He became famous for his montages of everyday objects. His "Portrai-robot de Mozart" (Mugshot of Mozart) in 1985 was made from instruments, music books, and clothing. It was meant to serve as an example of how the idea of Mozart is composed not only of his music, but also of myth and image.

Art historian and co-curator of the exhibition Damian Dombrowski finds this bronze by Louis-Ernest Barrias created in the 1880s to be a depiction full of intimacy and empathy. It shows Mozart as a child. "Mozart is completely at home with himself and his violin. He doesn't seem to notice the viewer."

Many images that deal with Mozart are inspired by his operas and their characters, like Cherubino from Mozart's "The Marriage of Figaro" seen here. The role of the androgynous youth is sung by women. The portrait painter Jacques-Émile Blanche put his favorite model Desirée Manfred in the clothes of Cherubino for this portrait, which is said to have been painted around 1903.

"The Champagne Song" by impressionist Max Slevogt is one of the highlights of the exhibition. Slevogt felt a close kinship with Mozart's operas. He surrounded himself with Mozart portraits and drawings. Slevogt's portrait of the opera star Francisco d'Andrade in the champagne-colored costume of Don Giovanni has become one of the most recognized paintings of an opera character.

Expressionist Oskar Kokoschka designed the set and costumes for Mozart's "The Magic Flute" twice — once in the 1950s and once in the 1960s. He combined various informal scenes from his sketches of the opera on this woven tapestry.

Artists of the 20th century were particularly inspired by Mozart's music. "It is quite rare for Gerhard Richter to give a painting a title," says Damian Dombrowski. The curator sees clarity, transparency and playfulness in Richter's color composition — just as is the case in Mozart's music. The exhibition "Imagine Mozart” will be shown at the Kulturspeicher Würzburg gallery until July 11.