The renowned Russian director has spent almost 20 months imprisoned in his apartment after being placed under house arrest in August 2017. He was released on Monday, but he still faces trial. Serebrennikov is accused of conspiring to embezzle state funds of the theater he manages, but the charges are widely viewed as politically motivated. If convicted, he could spend up to 10 years in prison.

The director gained his mainstream renown thanks to the state's blessing, as during the mid- to late 2000s, Putin agreed to develop a bold and experimental arts scene. Serebrennikov, who was born in 1969 and had studied physics before directing plays and TV films in southern Russia's Rostov-on-Don, was noticed by Russia's Minister of Culture when he started working in Moscow in his 30s.

Serebrennikov was appointed as the artistic director of this small state-run theater in 2012 and turned the Gogol Center into one of the most popular venues for Moscow's liberal intelligentsia, bringing together theater, contemporary dance, music, cinema and classes. In May 2017, Russian authorities had the multidisciplinary arts complex raided and arrested three employees of the theater.

Serebrennikov staged various successful productions at the Gogol Center, such as an adaptation of Lars von Trier's "The Idiots" in 2015. In reaction to the massive protest movements against Putin following the elections of 2011, the state's ideology changed. The Minister of Culture was replaced by a conservative nationalist in 2012. The Orthodox Church's influence on the Kremlin became stronger.

Meanwhile, Kirill Serebrennikov's acclaim had started spreading internationally, with his films screened at the world's top festivals and his theater productions also touring abroad. He was invited as a guest director at Berlin's Komische Oper in 2016, where he produced his interpretation of Rossini's comic opera from 1816, "The Barber of Seville."

Serebrennikov also directed the film "The Student," which screened at Cannes in 2016. An allegory for the country's growing conservatism, it portrays a student who drags his school into disaster after becoming a religious fanatic. The director had also started directly criticizing the state's treatment of LGBT community in the country and Russia's seizure of Crimea in 2014.

In July 2017, the Bolshoi Theater's sold-out premiere of the ballet "Nureyev," portraying the famous ballet dancer of the same name, was cancelled at the last minute. Rumors started circulating that influential Orthodox authorities didn't approve its depiction of homosexual love and wanted it reworked. Serebrennikov was already in his fourth month of house arrest when the piece finally premiered.

He was directing this movie in St. Petersburg when he was arrested on the film set on August 22, 2017. The next day, Serebrennikov was sentenced to house arrest in Moscow. "Leto" (Summer) is a biopic portraying Soviet rock icon Viktor Tsoi and Leningrad's underground culture of the 1980s. It competed at the Cannes festival in 2018, but the director was not allowed to attend the premiere.

The detained director obtained prominent support worldwide, including at the 2018 Cannes film festival (picture). A clear demonstration of the absurdity of the embezzlement charges against Serebrennikov and his colleagues at the Gogol Center came when prosecutors claimed a production of "A Midsummer Night's Dream" had never occurred — even though it had won many awards and went on to tour abroad.

Based on four short dramas by Russian poet Alexander Pushkin, "Little Tragedies" is just one of the classics Serebrennikov tackled. It premiered in September 2017, just a few weeks after his arrest. The production included references to current events and the director's absence, such as excerpts of the poem "October 19," which was also the date Serebrennikov was due to appear in court.

Another Serebrennikov production was scheduled to premiere at the Stuttgart Opera in October 2017, a few months after his arrest. His interpretation of "Hänsel and Gretel" was to feature footage shot in Rwanda. The opera house nevertheless offered an incomplete version of the work, which was subtitled "A fairytale about hope and misery told by Kirill Serebrennikov."

While detained in his two-room apartment without access to the internet or a phone, Serebrennikov managed to stage elaborate productions, providing his instructions on USB sticks to his assistants. His latest opera, adapted from Verdi's "Nabucco," premiered at Hamburg's Staatsoper in March. Even though he was freed from house arrest on April 8, the director is still not allowed to leave Moscow.

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The Russian theater director was under house arrest for 18 months until April 2019, but made his isolation productive. Now he has published a video with tips for getting through the corona crisis: "Read, keep a diary, exercise, work at home, cultivate friendships. Most important thing learned: Delete the concepts 'quarantine' and 'isolation'. It's a 'new start'. It's 'regeneration'."

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In 2009, the Chinese concept artist Ai Weiwei was arrested and so severely beaten by police that he suffered a cerebral hemorrhage. His "crime" was to call for a thorough investigation of earthquake victims suffering damages due to lax building standards in Sichuan. Then he criticized the regime in selfies from surgery – and made his prison time and house arrest in 2011 an artistic statement.

The painter, poet and photographer was held under house arrest by the Chinese government for eight years. The widow of Liu Xiaobo, a dissident writer and Nobel Peace Prize laureate who died in 2017, Liu Xia expressed her helplessness in the face the regime in poems and photographs exhibited in Berlin's Martin Gropius Bau. But Liu Xia also suffered from depression.

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The Russian poet Alexander Pushkin, founder of modern Russian literature, withdrew to his family estate in Boldino for several months in 1830 to escape a cholera pandemic. There he would lie in bed until 3pm in the afternoon writing text after text — poems, novels, fairy tales — with no distractions.

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The French philosopher Blaise Pascal, the act of leaving his room was the root of all evil. Around 1657, in his collection of aphorisms collected on scraps of paper titled Pensées ("Thoughts"), he wrote: "Every misfortune of humanity comes from people not being able to stay quietly in a room." Pascal was deeply religious, and to him staying in solitary in one's room was a path to finding God.